An elderly man, on the night of his birthday, is drawn into a confrontation with his past as he listens to recordings of his younger self, caught between memories, lost loves, and the weight of regret
A one-sided dialogue between past and present, in which the tape recorder becomes a symbol of the passage of time, loneliness, and humanity’s inability to return to what has been lost
“Krapp’s Last Tape Second Floor, Unit Three” is a brief yet poignant portrayal of the passage of life, loss, solitude, and the human encounter with one’s own past
Krapp’s Last Tape
Playwright: Samuel Beckett
Director: Mohammad Tat
Producer: Malata Art Group
Actor: Mohammad Hossein Mirsoltani
Director’s English Consultant & Translator: Ghazal Zakipour
Project Manager: Athens Academy
Project Executors: Nabz Theatre Laboratory – Mohammad Tat
Executive Managers: Arash Salarvandian, Morteza Rezaei
Production Manager: Mojtaba Goodarzi
Head of Directing Team: Arash Salarvandian
Assistant Director & Stage Secretary: Yeganeh Ahani
Acting Coach: Shahin Ashtiani
Planning & Communications: Neda Esmaeilian
Executive Assistant: Mohammad Jaderi
Costume Designer: Mohammad Hossein Mirsoltani
Set Designer: Mohammad Tat
Lighting Designer: Rahi Balaei
Sound & Video Engineering: Mohammad Jaderi
Poster Designer: Mohammad Jaderi
Photographers: Nazila Bekzadeh, Mobina Moradi
Project Sponsor: Nikan Honar Afarin
Financial Manager: Ghazal Zakipour
Stage Manager: Arash Salarvandian